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Competition Showcase – BETTY’S SÉANCE by Hannah Cundall

 

About Hannah Cundall
Hannah Cundall, from Bembridge on the Isle of Wight, was made redundant from her job at a travel company and decided to embark on some writing whilst job hunting. ‘The success with this story has given me the confidence to write more stories, and try some articles too,’ she says.
‘The idea for the story stems from a meeting I had with a medium many years ago, where she told me that my grandmother had loved baking, and often had flour on her hands - which was eerily true.’
The other good news is that Hannah now has a new job: ‘Following nine years of administrative desk-based work, I have accepted a position as a bus driver on the Isle of Wight, which I am sure will provide me with plenty of subject matter for future storytelling!’

BETTY’S SÉANCE
By Hannah Cundall

I’m doing a spot of baking when the call comes through. The yeast has worked its magic, the dough has risen, and I’m busy flouring the table ready for a final kneading session before the bread gets popped into the oven. Of all the times to be drawn away, this has to be one of the most difficult. Oh well. There’s really nothing I can do about it. They’ll just have to take me as I am.
As the light from my little kitchen fades, I am pulled toward another light source; that of a solitary candle flame. Ever curious, I peer into the darkness beyond the flame to try to work out where I am and the reason for the call. The candle is wedged into a wine bottle and wax is dripping down the glass onto a wooden table – they should watch that, hot wax will ruin the varnish – and further out from the flame I can see…urrggh! Fingers!
Honestly, I wish someone would switch on some lights. Spirits are just as likely to visit in daylight or in a properly lit room, and we’re just as interested to find out who else is present, too. It’s virtually impossible here. Though perhaps on this occasion it’s for the best, as I’m still wearing my apron and tendrils of my hair have decided to escape from my bun. Oh, and I’ve got flour all over my hands. ‘Betty,’ I say to myself, ‘You look a state.’
Now I know I was a bit slow on the uptake, but I think I’ve worked it out: the fingers are connected to hands, which are linked, thumb to thumb, pinkie to pinkie, around a circular table. There are one, two, three…ten people sitting at the table, and they’re having a séance.
Next question, then, is there anyone I know? I don’t recognise the medium, although you wouldn’t forget a face like that - thick black eyeliner, piercings through her nose and chin, silver skulls on every other finger and cherry red hair. She lights up almost as brightly as the candle. She’s in her early thirties and I can tell that she’s new to this. Maybe she has a family to support, and spends an evening a week doing séances for a bit of extra money, rather than host a Tupperware party. It’s a chance to meet people I suppose, from all walks of life and d-.
I have to confess, I don’t like using the d-word. ‘Passed on’ is my preference, it’s altogether less final, and gives people a little reassurance that there might be something else. Which of course, I can vouch for that. I’ve never been so busy. There’s the baking, the coffee mornings, chats with the newcomers and frequent visits to the hospital. If you have a skill in life, you tend to take it with you, and thankfully a passion for cooking and hearty gossip has come with me.
I’m scanning the room for a familiar face, and I happen to catch sight of my old silver ring, inlaid with lapis lazuli. Sally! You’ve changed your hair colour, love, and had it cut into a bob. Very nice, but I nearly didn’t recognise you. What on earth are you doing here? I thought you’d dismissed the idea of an afterlife when Zippy the gerbil was put down. I suppose that was a few years ago now, and you must be, let me think, twenty-eight? At any rate, it’s lovely to see you, and I’m pleased to see that you’re still wearing your grandmother’s ring.
The medium clears her throat and closes her eyes.
‘Have we any visitors from the spirit world here tonight?’
Bless her. She sounds doubtful. Two of the group, both teenage boys, exchange silent smirks. One kicks the other under the table.
‘Does anyone out there have a message for one of the group?’
This part always drags. It’s like when a teacher asks a difficult question in class and nobody wants to answer for fear of being tongue-tied or utterly wrong. I recall once visiting the Guildhall with my friend Barbara to watch a spiritual meeting hosted by a top television medium. Barbara loved the flamboyant performance and the prospect of fame, but all I remember was the overpowering smell of the medium’s aftershave and a hall filled with disorientated spirits. At least there were no awkward silences that day. He wouldn’t let the afterlife get a word in edgeways.
It has taken a while, but my eyes are now fully adjusted to the darkness. I’ve noticed that in addition to the medium and her nine guests, there are a considerable number - must be about fourteen - visitors, including myself, all milling around the outside of the circle. The living room is starting to become a bit cramped.
Well, I take my hat off to the medium. I don’t know how she does it, but she can certainly reel them in. I try smiling at a few of the assembled spirits, but they’re a miserable bunch, and all I get are blank stares in return. It’s worse than the week I did jury service. I have a feeling that this particular evening will be a long one, and I’m beginning to wish I was back in my kitchen. The dough will be as flat as a pancake by the time I return. So I’ve reluctantly decided to take matters into my own hands and speed things up a little.
I look around at my peers.
‘Any volunteers?’ I ask. Two large female spirits look at me and shrug, and a wizened old man scratches his head. It used to be about as lively as this at the Women’s Institute AGM, I remind myself.
‘No? Well, I’ll go first then.’ I assume my posh Greeting People voice.
‘Hello?’ No answer. I try again, less posh, but a good deal louder.
‘HELLO!’ Still nothing. For goodness’ sake, it’s no good inviting us round, dear, if you can’t hear us when we arrive. I’ve always disliked public speaking, and now I have the undivided attention of every spirit in the room. I’d like to disappear, but unfortunately that’s not an option. Not from this lot, anyway. I try to get the medium’s attention another way.
‘Excuse me, sorry.’ I work my way around the overcrowded living room, trying to avoid getting flour on anybody or passing through anyone in the seated circle. It’s not easy. I manage to reach the medium and lightly tap her on the shoulder. She jumps four inches into the air and swears under her breath.
‘Who was that?’ she asks, looking over her shoulder. I think she’s expecting one of the group to own up, but everyone’s hands lay palm-down on the table. I was right – she is an amateur. Now I’m stuck. Do I back off and let Mystic Meg convince herself it was just her imagination, or do I try to introduce myself and suffer the subsequent hysteria that may ensue? My peers close in around me, and the old man winks at me. I don’t really have a choice. I stand behind her left shoulder and speak into her ear.
‘Um, I’m Elizabeth Turner. No, scratch that. Betty. B.E.T-’ She swings her head round violently. Had I been a living person, I’m certain she’d have fractured my jawbone, but at last, she’s tuned in!
‘Betty! I’ve got a Betty!’ Anyone would think she’s hooked a prize-winning trout, the way she announces it. Sally immediately looks up.
‘I had a gran called Betty,’ she says simply. ‘She left me this ring in her will.’ She smiles at the ring, the polished surface glints in the candlelight. ‘Do you think it could be her, Carlotta?’
‘Is it you, Betty?’
Believe me, if I could materialise right now, in this room, and say ‘ta-daaa!’ I would. But I can’t. That takes a lot of practice, and I’ve never found the time.
‘Yes, it’s me.’ I’m racking my mind, trying to think of a way to prove that I’m here, and that I sort-of exist, when Carlotta turns in her chair, her hands still on the table, and looks directly at me. It’s a little unnerving.
‘Wow. She looks like you, Sal. Older, but you’ve got the same eyes, same smile. She’s got grey hair tied up in a bun, with some loose strands about her face. She’s wearing an apron and she looks like she’s been baking – she’s got flour on her hands.’
The biggest grin spreads across Sally’s face, as she remembers me always cooking in the kitchen, clear as day. Her gaze searches above and around Carlotta as if trying to catch sight of me through the candle flicker before I go.
‘Do you have a message for Sally, Betty?’
Ooh, now I’m stumped. I’d forgotten about this bit. My mind goes blank, just as it used to whenever I was handed a birthday card and asked to ‘write something’. Shame about the weather? No, too trivial. Uncle Trevor has taken up Sudoku? Ridiculous. Think, Betty! Everybody in the room is waiting for one sparkling piece of advice from me, Sally’s grandmother, who, until recently, was happily ensconced in her kitchen, and whose only wish is to be back there now.
‘My recipe book – the one that we used to fill with all of our favourite recipes torn from magazines, written from memory, tried and tasted – it’s in the attic at your parents’ house.’ I’d completely forgotten about it until now. ‘It’s yours.’ Carlotta repeats this word for word, and Sally is very happy. She evidently thought it had been thrown away or lost years ago. I’m relieved.
‘And you can practise some of those recipes over the coming months, because you’re going to have your hands full after the little one arrives.’
Sally gasps in delight. She doesn’t know! Oh Betty, you’ve really dropped a bombshell here. But nobody seems to mind. Everyone is laughing, and Sally is hugging the man next to her, who I now recognise as her husband.
The faint smell of dough drifts past my nose, as the candlelight begins to fade.


Judging comment

Telling a good story often depends on getting the right viewpoint. Here we have Hannah Cundall’s short story, which won the runner-up slot in the Writing Magazine competition for a story about a séance, and her unusual choice of viewpoint is the strength of her story.
In a séance, you have three parties involved: those attending the event, the medium, and the spirits. Most entries we saw for this competition told their stories from the viewpoint of one of the people attending the séance, and a few chose the viewpoint of the medium. In the entire shortlist, only Hannah chose the viewpoint of one of the spirits. And this is what gave the story its unusual edge.
The story itself is an excellent character study of Betty Turner – the spirit who seems to fill the same role in the afterlife as she did before. A kitchen-based, practical, kind, down to earth gran.
Betty accepts life, and indeed the afterlife, as it is and just gets on with things. Her comments on all the other people (and spirits) who populate the story are wry, sensible and observant. And that’s all there is to it: we just hear gran relating what happened at the séance. No particular plot sequence or storyline, just a believable character study, which follows from just the right choice of viewpoint.