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Competition Showcase – A Crisis of Identity by Nancy Lynne

 

About Nancy Lynne
Nancy Lynne, who divides her time between Leicestershire and France, trained as a lawyer specialising in family law. She has now taken early retirement with the aim of trying to make a new career as a writer.
‘My mother was a Fleet Street journalist,’ she says, ‘and encouraged me to write from an early age. My youthful scribbling led to several factual pieces being published in the local press. My best achievement was in being commissioned by the Southern Evening Echo to interview Kate Adie when she visited Hampshire and my piece was featured as a double page spread.
‘My preference, however, has always been to write fiction. When my legal career was still at the 9.00 to 5.00 stage, I wrote several romantic novels aiming for Mills & Boon. I almost succeeded with one and was informed that they may be interested in my future work. That came at just the wrong time because my responsibilities as a lawyer increased and I could no longer do justice to a writing career. Before the day job took over completely I had short stories published in People’s Friend and had two novels serialised in the late Secrets magazine.
‘That was all over twenty years ago and it is still my ambition to write romantic fiction, but with the angle of a series of legal romances using my experience as a family law practitioner.’

A Crisis of Identity

by Nancy Lynne





She was nobody’s wife anymore. Not since that drab November evening when her husband had told her that he was in love with another woman.
Afterwards, when he’d gone, she had switched on the computer and booked herself a holiday. A cruise between Luxor and Aswan on the River Nile. A special, seven night fly/cruise package was leaving the next day. She had paid using her husband’s Amex card experiencing a small stab of revengeful pleasure as the transaction went through. She had the most curious sensation that she was merely a spectator watching this tall woman with the red gold hair pack her suitcase, drive to the airport and board the flight to Luxor. But then she no longer had an identity.
The luxury cruiser pulled away from Luxor’s chaotic east bank. She stood on deck deriving some comfort in her anonymity. She was Amanda Sutton, aged 33 years, snatching a sneaky break away from it all. She was not the unwanted, unloved, soon to be ex Mrs Richard Sutton. Here she would be taken at face value. No embarrassing explanations necessary. She would immerse herself in the culture of ancient Egypt and be transported to another time far removed from the darkness of her own.
Amanda was glad that she had chosen Egypt. She was forced to notice it. The sheer foreignness of the city of Luxor was a distraction, almost an antidote to her pain. The streets, full of horse drawn carriages with children running alongside asking for anything that was going; the glimpses of the colourful souks where the market traders daily perfected the art of haggling; the new buildings close to the Nile mostly without roofs. Luxor might be the most disorganised place she had ever visited but it was vitally alive.
Not like her. Not anymore.
She felt a light touch on her shoulder. For a moment she almost believed it was Richard. But he doesn’t even know I’m here, she thought. Nobody knows. I’ve escaped from my life. She turned to see a tall man with thick blond hair grazing the collar of his shirt. Blue eyes regarded her with interest, blazing out of his sun bronzed face.
‘Hi, I’m James Amory. One of the guides. Welcome aboard the Isis, pretty lady. Is this your first time in Egypt?’ His voice was clipped, very English public school.
‘Amanda Sutton.’ The compliment had not escaped her. She smiled carefully. ‘Thank you and yes this is my first visit.’
‘I envy you,’ he said simply. ‘The Egyptian experience is the best ever and I recommend that you start yours with the short talk I’m about to give on the Temple of Denderah which is our first stop. Stern deck. Five minutes.’
‘I’ll be there,’ she said, but in truth she was careless of her destiny. Slowly she walked the length of the boat and sat down under the canopied shade. As James began to speak she instantly longed for him to finish so that she could retreat inside herself again. She couldn’t concentrate. She didn’t care enough. She got up and began to run back along the deck with one thought pounding in her brain. I shouldn’t be here, I shouldn’t be here, like the rhythm of a train. She reached her cabin, swallowed two sleeping pills and lay down on the bed.
It was the telephone that woke her. She reached for the receiver, still groggy with sleep. ‘Richard?’ she whispered.
‘No, sorry, it’s James. Your guide. I just wondered if you’re OK. Only you missed the shore excursion to Denderah.’
Amanda sat up. ‘I’m sorry, I fell asleep. Are we still there?’
‘No, we’re almost back at Luxor. How about I take you to the Old Winter Palace hotel for cocktails this evening? It’s one of the must do’s in Luxor. Very Agatha Christie. I’ll pick you up in half an hour.’
‘No, James …’ but the line was dead.
‘I didn’t think you’d accept,’ James said. They were sitting in the Royal Bar of the Old Winter Palace in front of two spectacular cocktails.
‘Did I have a choice?’ Amanda didn’t mention that it was only the thought that he’d bang on her door and make a fuss that had driven her out of bed and into the shower. She sipped her drink and looked around the elegant English style bar. ‘I see what you mean about Agatha Christie.’
‘She used the Old Colonial hotel at Aswan for her book Death on the Nile, but this has a similar style.’ He studied her for a long moment. ‘You know that she created a mystery of her own? She went missing in 1926 for eleven days. After her husband had told her he was in love with someone else. She claimed later that she’d had amnesia.’
The words, ‘oh really?’ and ‘how peculiar’ died on Amanda’s lips to be replaced by an insane desire to laugh hysterically. Agatha Christie and Amanda Sutton. What do these two women have in common? Answer: They escaped from the world because of their unfaithful husbands. Instead she said quietly: ‘you’re fishing.’
‘And what have I caught?’
‘I can’t talk about my marriage. It’s over and I have an aversion to crying in public. Anyway, I’m sure Agatha Christie didn’t tell anyone. Not then, during her escape.’
‘The ancient Egyptians were all about survival,’ James said. ‘Let’s stay here for dinner and I’ll beguile you with a potted history of the Pharoahs. You’ll know your Tutankhamun from your Rameses the Great by the time I’ve finished with you,’ he grinned. ‘You can’t haggle with an offer like that.’
Amanda laughed. It was impossible not to react to his good humoured charm. ‘Oh yes I can. Beguile me with your life history and we have a deal.’
She’d been right about the public school. From there he had gone to university to study archaeology. Ruefully he described himself as an archaeologist temporarily without a dig, hence the job as a cruise guide on the Nile. However he was using the experience to research a book he was writing on the lives of the Upper Nile explorers.
He entertained her. Renewed the spark of life she had buried deep within her. She found herself talking about her work as a research chemist. The work she had loved but had given up four years ago when she had married. She didn’t tell him that Richard had wanted a full time wife. She didn’t mention Richard’s name at all. By the time he escorted her back to her cabin she no longer wanted to cry.
The next day Amanda joined the excursion to the west bank of the Nile across from Luxor. James began his lecture as they approached the Valley of the Kings.
‘On the east side of the Nile where the sun sets is a place for the living. On the west side is a place for the dead. Sixty two dead pharaohs to be exact buried here at the edge of the desert.’
She felt the mini death of her own despair stifling her. This had been a mistake. She had an urgent need to be with the living. She lagged behind wondering if she could escape back to the womb of the Isis.
‘You’re not enjoying this are you Agatha?’ James fell into step beside her.
‘Death, decay, desert,’ she said. ‘I’d prefer to go back to the boat.’
He tucked her arm through his. ‘Did I tell you about Queen Hatshepsut? She ruled alongside her dead husband’s son and wore a false beard so that she’d be taken seriously. Can you believe that? But these Egyptians knew how to live. If you appoint me as your personal guide I promise to dish the dirt.’
Amanda frowned. ‘Why are you doing this, James? Putting yourself out for me?’
He squeezed her arm. ‘Some may say that it’s my job. Others may say it’s because I fancy green eyed, rusty haired replicas of Agatha Christie.’
She was smiling in spite of herself. This irrepressible man with his impossible charm never failed to give her hope. And hope was just what she needed to combat her despair.
During the next few days as they cruised towards Aswan, the new Amanda Sutton gradually fell under the spell of ancient Egypt. She floated through the timeless beauty of the Temples, calmed by the echoes of lives long past; absorbed by the legacies they had left behind. And as always, James was her guide, her inspiration, her gateway to survival.
On the day before they were due to sail back to Luxor, Amanda joined several other passengers for a ride on a traditional Egyptian sailboat. She lay back against the cushions positioned around the circumference listening to James conclude his talk on these feluccas of the Nile.
‘Job done,’ he sat down beside her. ‘That’s me finished for this tour.’ The sail of the felucca caught the breeze and picked up speed. James looked across the river. ‘To the people of Egypt the Nile is everything. It’s the one constant thing throughout their lives.’
Amanda was barely listening. She could no longer deny the inevitable. For her the end of James’ duties as a guide signified the end of her escape. ‘But not for me,’ she said, her voice quietly despairing. ‘I have to go back to face Richard, the divorce.’
‘Only to tie up some loose ends,’ James said very matter of fact. ‘Just remember the Arabic code of life. Insha’allah means God willing; bukra means tomorrow and ma’lesh means it doesn’t matter. They’ll work for you. Maybe they worked for Agatha Christie when she went back. Did you know that she remarried? An archaeologist called Max Mallowan.’
A sliver of hope illuminated Amanda’s dark place.
He bent his head towards hers. ‘I’ll be following you in three months when my contract runs out. Meet me for tea at 4.00 o’clock in the Palm Court of the Ritz in London on 29th February. It’s a leap year, Agatha. Will you take that chance?’
The darkness slithered away. ‘Insha’allah,’ she said.


Judging comment
Nancy Lynne’s A Crisis of Identity is a classic boy-meets-girl story which won her second prize in our Holiday Story competition. Although we have the girl (Amanda) and the boy (James) do we have a love story? Not quite.
Obviously James is attracted to Amanda, and she responds – but only a far as she can. Problem is that Amanda is in a state of despair. She is no longer Mrs Sutton because her husband had walked out on her. We are not given any back story about how the marriage ran into trouble, and we don’t need it. This is not a story about a marriage, it’s a story about a recovery from a marriage.
It is obvious from the opening sentence that Amanda needs to regain her self-confidence and her sense of purpose in life. She needs to recover. James, of course, begins that process for her. The assurance that she can still be attractive to another man is just what Amanda needs in order to regain confidence in herself.
But is James anything more than a holiday romance? Amanda falls under the spell of Egypt; it’s a mysterious and romantic place, and provides an atmosphere in which James’ attentions are going to be seen in the best possible light. Add to that the fact that she is in a vulnerable state, and Amanda is going to be attracted.
But she keeps her cool. She allows herself to hope, but does not make any commitment. Maybe the James-Amanda story will turn into a love story. Or maybe James will seem a very different person in the cold February light in London. The story ending has answered the opening: yes, Amanda does achieve recovery. But we can make our own minds up about where it all goes from there.