Writers' News

For a wide range of services for writers, visit our links page

Writing Magazine

Competition Showcase | Online competition | WN competitions | WM competitions | Rules

Competition Showcase – POWERED CYCLE by Julie Noble

 

About Julie Noble
‘I am a married mum of five living in beautiful North Yorkshire,’ says Julie Noble. ‘ I hope to make writing my long term career, it’s a dream I have in common with many I know, but hopefully will keep on improving my work until one day, who knows. I have already achieved some measure of success, and intend to keep going with it.’
Julie has had work published in anthology and has also self-published anumber of novels. Most of her fiction has been theme-driven; for example her Talli’s Secret is a crossover novel dealing with bereavement, and the difficulties of teaching children with undiagnosed learning difficulties (her elder son has dyspraxia and dyslexia). And her latest novel Discovery, is about the devastating effects of denying the presence of post-natal depression. A stand alone extract entitled A Change in the Weather was published in the Mslexia literary magazine. Julie was also interviewed by Mslexia on the subject of self-publishing.

POWERED CYCLE

By Julie Noble




He’s caught me on a bad day, but just to see him makes my mood lift ever so slightly, like the corner of a page being pinched upwards in preparation for reading on.
It’s the bike. I’ve always thought of cycling as the great leveller. As in: you might have the fancy framework, the gamut of gears, the trousers black or bright (always tight as tights) and the arrogant attitude, but if you didn’t have the dogged determination to keep going, then frankly, any old pedaller in jeans could do the same. But this! This is the future, and the future is fraudulent.
A powered cycle, sneakily so, not blatant. Just an unobtrusive engine the same shape as the chain covering, the whole only a little chunkier than an ordinary guard.
I can’t help but smile, and look up at the culprit, a sprightly elderly gentleman who is just in the process of removing his pilot-style cycling goggles. His hairless head shines smooth in the sunshine. I make a casual comment about the motor and he acknowledges it with a boyish mixture of shrug and head shake, the ‘Yes I’m guilty but I’ve got a good excuse’ gesture I am so used to seeing in my older sons, both teenagers.
‘Well I’m coming up eighty now.’
I nod. He takes in the sight of me on the bench, the train-style double buggy with sleeping baby, the huge dog attached to a lead, pulling eagerly towards the stranger, and the toddler, bored with sitting, just investigating the possibility of adventure in the muddy entrance to a field off the tiny country road.
‘You’ve got your hands full,’ he suggests mildly, raising his brows. It’s a comment I hear regularly, almost every time I go out, especially when people see the toddler on reins going one way, the dog another, and me hanging on to the pram with my ankle.
‘Oh yes,’ I reply, using the same style as the voice of the Churchill Dog on the TV adverts. Reassuring but wry. I always make the same response. It’s supposed to be humorous, to myself at least, but sometimes it sneaks out verging on grim. Today it’s close to dour as my little girl moves nearer the mud bath. Quickly I jump up to assume better parental responsibility, lifting the lively toddler upwards from the fascinating filth and placing her by my side on the bench. There are fierce protests – I can see her behind a placard in twenty years - until I produce a packet of raisins. If only all campaigners were so easily pacified, all wants so simple to appease.
‘Would you like a raisin?’ I ask,
‘No thanks, got a banana,’ he says cheerfully, but makes no attempt to retrieve it.
He stays behind the gate which barricades the unwary car from the steep hill with stream at the bottom. His head, peering, searching, reminds me of a meerkat. (That’s because of another advert. You can see that the television is on too much in our house, but it’s such a useful pacifier.)
Peacefully, in silence - apart from the scrunch of raisin packet - we take in the view, our retinas restfully absorbing the varying greens of the landscape before us, some bursting bright lime with spring vibrancy, others steadfast with mature sage. The moors crest the horizon, a collar stained with history, scarred by exploiting quarries and pitted with stones from ancestral man’s homestead. Beneath them, nudging up the hillside like a ruched blanket, is the patched scenery of past century farming life. Quilted green quadrangles, stitched with hedging, and red roofed buildings, bound with thick tufts of trees, which rise like freshly pulled rag-rugs. It is a sight I never tire of.
My daughter holds out a raisin to the cyclist but he is still gathering his harvest of impressions. Behind him a spume spray of delicate white hawthorn blossom reaches up to a perfect blue sky, clustered like hands offering flowers to a Saint’s statue in the Easter parades they have in Spain. I’ve seen the immobile statues brought out and carried, boisterously, joyously, and sometimes reverently on shoulders; it’s one of my memory’s favourite scenes.
‘This is the first time I’ve been out this year,’ he says, as much to the landscape as to me, ‘and it’s only possible because of the powered cycle.’
‘How lucky!’ I say, smiling at the bike again.
‘I’ve lived here all my life, and walked or cycled everywhere.’ His gaze traces the hills, climbing the inclines. ‘I’ve spent hours and hours on the bike on the old railway line. I love it.’
I too love cycling that railway line. As he speaks, I picture myself standing on the pedals to climb the rise to the first stretch into my favourite part, the tree tunnel. Here the languid limbs bend across to each other, trunks brushing like the shoulders of concerned parents curving over a child, branches mingling like fingers folding. When the leaves are fully layered, and the track is empty, it’s as peaceful as entering a cloister, the shimmering green air is nourishing to the soul, the invisible molecules enriched with the earth’s silent prayers.
The times I have taken the dog out, pedalling desperately to escape from domestic demands, financial anxieties, or other troubles, and on meeting that hushed, shaded atmosphere, felt the stress bathe away and my pedalling automatically slow into quiet reverence.
He’s stopped talking, and is looking at me closely.
‘I’ve met you before haven’t I?’
I nodded,
‘Bramble-picking.’
‘Last year,’ he decides, subconsciously raising his shoulders with the knowledge that he has remembered my face correctly. ‘Or the year before.’
‘You picked some blackberries for me,’ I remind him, and he steps backwards in delight, a bow without a bend, as he turns to regard the now barren bushes. He’d cheered me that day too, a wet day, when weeping, drooping hedgerows were more welcoming than the same four walls.
The ‘little man’ starts to stir now, with the twin enticements of his mother’s voice and his sister’s rattling of the raisin packet. As he thrusts his fists to the side of the pushchair to heave himself skywards, the dog nosily shoves his face towards him, surprising the baby backwards, but not upsetting him. As I bend to unstrap my smallest son, the cyclist takes a keen interest.
‘Do they get on alright, then? The dog and the children?’
‘Yes, he’s very good.’
‘Which did you have first?’
‘The dog, for my older boys,’
‘Right, did you have him from a puppy?’
One-handed I prepare the baby’s bottle, thinking of my first sight of the matted, exhausted Alsatian that staff at the rescue centre were told no one would ever want, and I smile wryly to think of him as a fluffy puppy. When my sons picked the biggest, nastiest looking, meanest barking dog out of the whole sad selection, I’d felt like I’d been landed with unwanted detritus, someone else’s mess to clear up. It was only because my life was like that at the time anyway that I said yes to the dog. That, and the look in his eyes.
‘No, I got him from a rescue centre. They weren’t sure how old he was, five maybe, or six.’
‘But wasn’t he jealous? Some dogs can be, you’ve got to be careful.’
‘Yes, I know, but I asked advice, and was told take the baby to the dog, introduce it, and I did, and he’s been fine.’ I smile at my son, tucked in the crook of one elbow, and he regards me solemnly as he concentrates on the contents of his bottle.
‘That’s good, that, that’s the right thing to do.’ He nods generously, affirming his approval.
‘Do you have children?’ I ask, poking round my bag for a wipe for the toddler.
‘I have a son, that’s why I’m here today.’
‘Oh? Is he meeting you?’
‘No, he’s given me this camera and told me to take shots of all the places I like to see.’
‘That’s nice.’
‘He’s going to put them on a DVD.’
‘Oh wow, what a good idea!’ I smile, impressed. It’s the sort of thing I always mean to do, when I have time. He nods, curtly this time, staring forward again.
‘Then I can watch them when I can’t get out anymore, which probably won’t be long.’
‘Oh.’ I bend my head to the new person in my arms, not sure what to say. Do I ask the cyclist how he knows he’s now sentenced to life indoors? I’ve been stuck in the house so much myself lately I could give him a lecture on how awful it is. Some days are like being wrapped in cotton wool, senses suffocating, brain clogging with the closed air.
He’s still looking forward when a soft breeze uprising from the valley bottom brushes our faces, wafting just a few of the scents of spring: the sweetness of juicy just-cut grass, the wholesome warmth of rich, raw turned earth, the strong musky odour of a fox passed this way before us. You can’t get these on a DVD. Suddenly I want to cry.
The toddler shuffles herself forward, grouchily sliding off the bench. The cyclist watches us,
‘Are you off now?’ he enquires, with just a trace of wistfulness.
‘Yes, she’s tired.’
While I fasten the babies into the pushchair he stands holding the gate open and watching us, staring at the picture that his camera will not take. I wonder if he is thinking of his own family, and whether they will one day bring their children here.
The toddler waves goodbye and we set off for home, trundling the long buggy, dog lounging alongside. As we leave the shelter of the high hawthorn hedgerow, bursting with its foamy bouquet, a blast of chilled air suddenly rushes at us. A sharp slap of skin-tingling cold, the sort that reddens the cheeks and gives you that rosy, wind-blown glow. The type of freshness to your senses that you can never get in the comfort of your own home.
A tear escapes me, for the cyclist.


Judging comment
It is often said that a short story should be of a snapshot. It should portray someone frozen in a moment of time, and should then explore who and what they are, what and why they are there. Julie Noble does exactly that in her story which won second place in our competition for a story about a cyclist.
Julie’s cyclist is closing eighty, but he is still able to get out into the country on his cycle because it has a small engine. And her eighty-year old meets up with the new generation in the shape of a young family. There is no interaction between these characters to provide any form of storyline. We are just told who they are. The snapshot is explained.
We learn about the characters from the dialogue. They ask each other about their respective backgrounds, and the dialogue is simple and natural. It is interesting that as the young mother makes comparisons she uses television commercials as points of reference (commercials for Churchill Insurance and for Compare the market.com). It is totally appropriate that television commercials should provide the cultural benchmarks for the new generation, represented by this young family.
The elderly cyclist is perhaps less forthcoming, which is only natural. Friendly, yes; interested in the family, yes; but he recognises that his own active life has only a limited timespan remaining, and he doesn’t look forward.
There is something slightly sad about this, hence the reaction it provokes in the mum. And certainly we understand the snapshot.