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Competition Showcase – MY MUM by Jacqui Seddon

 

About Jacqui Seddon
Jacqui Seddon began writing towards the end of a long prison sentence, using her new found passion for writing to help her stay off heroin. ‘I was recently featured in an article about writing as therapy in Writing Magazine,’ she says. ‘And I have had stories recently published in Scribble and the Not Shut-Up magazine. I am studying creative writing at the City Lit college in Covent Garden and am a member of “the best writing group in the world ever!”’

MY MUM

by Jacqui Seddon.




I am so excited. It’s hard to keep still, I want to leap about and go all crazy. I can’t believe it’s really happening - I’m seeing my Dad! He is great, my Dad. He used to love my pictures - although I’m hoping my artwork has improved since I was three. I’m twelve now. We did tons of stuff together. Mum says I’m seeing him through rose-tinted glasses and I’ve put him on a pedestal. She is just jealous. I hate the way she has this look on her face, kind of sad, like she can see something that I can’t.
‘Hmmm,’ she says. ‘Your hair smells lovely.’
‘Does it?’ I ask.
She nods. ‘Like freshly peeled lemons.’
I lean forward and apply a smidgen of sweet jelly lipstick. Mum passes me a tissue and I kiss it. We smile at each other’s reflections. I’m glad Mum has come round to my seeing him. She hadn’t at first. I’d just blurted it out. She was standing at the sink chopping onions. She didn’t say anything, not straight away, but I saw the face she pulled behind her skin. Then she said, I’m sorry Charlene - I forbid it. I’m twelve! I yelled. You can’t tell me what to do! I hate you! You’re the worst Mum in the world ever! I’d had to turn away cos I couldn’t stand seeing her like that, her fingers tinkering with the potato knife like she wanted to slit her wrists, a tear fiercely clinging to the corner of her right eye, mouth trembling.
It was an hour later when I went downstairs. She was still sobbing into her mug of tea. So I went back upstairs. I could hear the theme tune to Eastenders on the lounge TV when she finally came up with a boiled egg and soldiers and shiny green eyes. She said lots of stuff, but said it was up to me - if I wanted to see him she wouldn’t stop me. She even took me to Top Shop to get this new outfit for my visit. She’d smiled as I’d paraded in various tops and jeans, but the smile clashed with her eyes. Like red clashes with pink.
It’s already nearly five o’clock! I’m seeing him in an hour, Mum’s ordered me a taxi. I can’t believe it’s really gonna happen, when I think about it my stomach gets all churny and my hands sticky. There’s a whole bunch of stuff I’m gonna tell him - if I don’t go and get tongue tied. I’ve got a tendency to do that - like when I spoke to Robert Carter who I’d fancied since infants, but this is worse. I’ve lost count of the times I’ve had to rush to the loo and chuck up when I’ve thought how I’m really gonna see him.
Anyway, like I said, I’ve got loads to tell him. How we did a poetry slam, all the middle schools. I wrote one about what my Dad means to me. Alison Benton won, with a stupid poem about seals. But everyone said mine was the best, ‘touching’ they said it was. Mrs Foster, the art teacher, said it moved her to tears.
I examine myself for the zillionth time in the mirror, my denim blue skinny jeans, spotless white shirt, new hairstyle (that Rob says looks sexy and makes me look eighteen) and polished shoes.
‘Do you think I look too formal?’ I ask, turning to inspect the view from the rear. I have lost weight, having borrowed Mum’s weight watcher’s guides as soon as I got the date for my visit. I’m ugly but Mum says I’m beautiful, she says she doesn’t know what I’m talking about, all that gorgeous naturally curly hair and flawless skin. I stare at the Mount Everest wannabee of a zit on my nose.
‘You look amazing,’ she says. She tries desperately hard to light up her face with a big smile, but she doesn’t quite manage the lighting-up bit. The air in the gap between us gets all staticky. Her dark curly hair has been cut right short so that it looks like her head is covered in woodshavings.
‘It’s okay,’ I say, ‘I’m not moving in with him or anything.’ I feel a bit guilty because I am secretly planning to. Mum can be a bit full on at times. Auntie Sue calls her over protective.
The taxi is here! I think I’m gonna be sick, my legs go all shaky. We dash down stairs, well I do. Mum helps me on with my coat and I let her even though I’m not five anymore. I wish I had some spearmint gum, I hope I’ve not got dog’s breath. I breathe into my cupped hand and try to sniff the captured air. Mum stands back and looks at my face with her head slightly on one side: ‘You’ll be okay, sweetheart. You know how much I love you, don’t you?’ I want to say like, duh but it isn’t right so I just nod.
I get in the cab and place my poem on the seat like it’s a Ming vase, Mrs West has laminated it for me - it looks the bomb. Mum reaches in and gives me a massive hug, squeezes the life right out of me. The taxi pulls away making the knot in my stomach get tighter, my legs shakier. I keep worrying about silly stuff like do I hug him and kiss him or shake his hand? I guess it’ll be like on Oprah and we’ll run to each other and hug and cry. I’ve cried buckets already. My mate Gina says I’m like Tracy Beaker wanting to see her Mum. I’m not, I say, because her Mum couldn’t give a flying monkey about her.
Anyway, I’m not a saddo like Tracy Beaker is. I mean, I know I do a home-made Christmas card for him with soppy poems, but I don’t do all the other saddo stuff that she does. It takes me ages to write the poems, I always want them to be perfect. I’ve got them all in a little box ready to give him.
He’ll probably have loads to tell me, what he’s been doing all this time. We’ll chat for ages, even about what TV we like. I wonder if he watches Big Brother. I hope so, Mum hates it. She’s so lame sometimes. I bet he loves it, like me. I probably take after him, more than Mum. Thank God.
I am here! At my Dad’s house! I get out and pay the taxi man. I stand by the gate. The sun sinks behind the red roof tiles of his house, like it doesn’t want to watch. I need to go pee, but I can’t. Obviously. I give myself the once over. It starts to rain a bit so I go up the path, my feet feel like they’ve been fastened to the gate with elastic. I swear the jolly green giant is having a hissy fit in my chest, stamping and stamping his feet. A breeze whips up and old Doritos bags and pizza boxes start skittering about. I tap on the door. ‘Dad? Are you there?’
The door is unlocked. I go in. It’s hot and dark and smells of beer. The walls are nicotine yellow. I side step a chunk of fossilised cat poo, and fix my hair in the hall mirror. I take a deep breath and gently, slowly push the living room door open. He is there. On the sofa.
My Dad. My Daddy. My father. Who I’ve yearned to see ever since I can remember, who I’ve dreamed about, cried about. He picks up the remote and turns the TV volume up and goes, shhhh. He is egging a horse on, waving his fists, bum perched on the edge of the sofa, legs apart.
‘Dad,’ I say. My voice sounds so small it might have belonged to a mouse in a Walt Disney film.
No response. The race ends. He bangs his fists down on a stained table. Stops and looks up. Cricks his head round to give me a filthy look and then goes back to his fist banging. Damn, damn, damn he says.
I have to wipe my hand over my eyes because I can’t see properly.
‘Dad? It’s me Charlene.’
Nothing.
‘What’s the matter?’ I say.
He swears at the TV and slumps back in the sofa. ‘Bloomin’ eejit of a horse has only gone and won!’
‘Isn’t that good?’ I ask, still with my mouse-voice.
‘Good?’ he roars. ‘Good?’
‘Well I –‘
‘Thought I could make me a bit of money, didn’t I?’ he mutters. ‘Thought Bert’s horse didn’t stand a donkey’s chance of winning, didn’t I? Bert never bloomin’ wins. Bloody typical. So I pocketed his twenty quid, didn’t I?’
‘Oh,’ I say (thick, thick, thick) ‘You were supposed to place a bet for him?’
He cricks his neck round, the fat rolls move like raw chicken meat. ‘Catch on fast, don’t ya?’
I do the calculations, and almost whistle. ‘Five hundred quid.’
He gives me a look that feels like he’s just slammed the door in my face. He has beads of sweat covering his bald scalp. They don’t glisten, they are dull, like grease.
Things are only just beginning to sink into my thick head. First, it was obvious he wasn’t best pleased to have to stump up five hundred quid. Second, he also wasn’t best pleased about seeing me. And still isn’t. On both counts.
And then I know what it is my mother could see. What she has been able to see all along. My heart. All stamped on by the jolly green giant. Ripped and bloodied and strewn about. And I know she is out there waiting in the bruised-grey light. My Mum. With tears on her cheeks and rain in her hair. Standing there, her hands hanging limp by her sides. With her darning needle and thread, ready to stitch my heart back together again. Just like always.
My Mum.


Judging comment
When people talk about short story writing, there is often a lot of discussion about storyline. But just think about the storyline in Jacquie Seddon’s My Mum: 12-year old Charlene lives with Mum but idolises Dad. But when she meets him she is disillusioned.
That’s it. That’s the storyline. But it won Jacqui second place in the ‘five hundred quid’ competition, a competition for stories in which the writer had to use the line ‘he wasn’t best pleased to have to stump up five hundred quid’.
The ‘storyline’ works because it is character-driven. It is simply about Charlene, Mum, and Dad. Charlene idolises Dad – but in fact it is the idea of Dad that she idolises, not the man himself. And that idea is soon shattered when she comes face to face with reality in the tobacco-stained, beer-smelling flat. And the character of Charlene is skilfully drawn. She has the 12-year old’s interest in clothes and cosmetics. But she also yearns to be needed.
The other characters are also nicely drawn. We have patient, caring, Mum who is finally valued for what she really is. And we have Dad who represents all the bad things about life that Mum understands but couldn’t possibly explain to Charlene. The three of them lock together to make the storyline for themselves.