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Competition Showcase – DITCH THE BITCH by Kate Walter

 

About Jane Sykes
Jane Sykes, from Sowerby Bridge near Halifax, has written all my life without ever having made a conscious decision to be a writer. ‘I graduated from Lancaster University in 2003 and had my first book published a year later,’ she says.
‘In December I left my job at Calderdale Council to take a year out to focus solely on my writing, as the work was becoming too intrusive on my writing time. I recently sold a story to Peoples Friend and won first prize in the Writing Magazine Imitation short story competition.
‘My ultimate aim is to have more books published. Although any financial reward is much needed, I just love writing and if other people can obtain even a smidgeon of enjoyment from my stories, I know it is all worthwhile.’

INNOCENCE
By Jayne Sykes

Have you ever wondered what it feels like to be dead? Well, have you? Think about it.
Never again to feel the warmth of the summer sun shining on your happy face as you raise it in salutation. The refreshing wetness of an unexpected rain shower as you run, laughingly, for cover. To hold the people you had always taken for granted would be there for you. To keep them safe. Protected.
I used to wonder what it would feel like. In my darkest moments I suppose I would even have welcomed it.
When it happens it knocks you for six. I had always hoped for a peaceful death, my last breath escaping in my blessed sleep. The morning it actually happened had started off badly and ended even worse. I hadn’t had a clue. No omens to warn of my untimely demise, unless you counted the divorce papers landing on my doorstep the previous week.
‘At least he didn’t suffer,’ I heard the constant refrain at my funeral until I wanted to scream and shout. ‘He had a short life, but a good one.’
‘What do you call this?’ I had yelled at the top of my lungs, as I attempted to pick up the heavy ash tray that had always sat in the middle of my mother’s dining room table.
I guess I wasn’t on the list to become the next poltergeist, for the cut glass ash tray remained fixed on its spot instead of smashed to a millions pieces against the wall.
Instead, I had been forced to watch all the people I had known in life gorging on home made sandwiches and drinking copious amounts of alcohol, all in the interests of seeing me off into the afterlife.
But wait! I’m digressing, forgetting my purpose.
‘The baby’s crying again,’ Brian groaned and nudged Angela who pulled the duvet up around her ears, mumbling protests.
‘It’s your turn, Brian.’
‘Nope. I went last time. Besides,’ he opened one eye and peered at the bedside clock, ‘it’s feed time and unless there’s any more bottled…’ he let the sentence trail off and reached over to pat Angela’s back as she climbed, grudgingly, out of bed.
I don’t suppose there are many people who can remember their emergence into the big bad world. I came into existence the same as everyone else, naked and vulnerable as I was thrust into outstretched arms eager to nurture and protect.
It’s obviously part of our genetic makeup to recognise the need to bond, to strive for security so it was no surprise to find my son suckling noisily on Angela’s generous breast as I appeared in the nursery. A room I had finished preparing only days before Angela renounced our wedding vows.
Angela asking me to move out had been a bigger shock than the lorry that had slammed into my car that cold, icy morning. Her insistence that the marriage was over had already killed me, so I suppose dying twice in the space of a month was quite an achievement.
Now, I closed my eyes and took a deep breath. When I opened them a few seconds later it was to find those big baby blue eyes watching me closely.
‘Hey, little one,’ I murmured, taking a few steps towards them.
He released his mother’s nipple, his tiny feet kicking out and, I swear, he smiled at me.
‘What are you looking at?’ Angela stroked his soft cheek and glanced through me, her eyes squinting in the low light.
In response, the baby chortled and waved his tiny arms, his gaze still locked on me as she winded him before settling him back down for what remained of the night.
I followed her back into our bedroom, ignoring the anger coursing through my lifeless body as I witnessed their harmonious domesticity. That had been one of the many things I had loved about Angela. Her desire for a happy, peaceful life.
Well, we were all entitled to our delusions. That had been mine.
‘Brian, are you awake?’
‘I am now,’ he grumbled. ‘Hey, your feet are cold!’
‘I think there’s something wrong with Louie. I might take him to see the doctor in the morning.’
‘Why?’
‘I don’t know.’
Brian humphed.
‘He just… all the time I was feeding him, he just kept staring at the wall. I don’t even think he blinked.’
‘He’s a six week old baby, Angela. He’s hardly likely to engage you in conversation.’
Angela shrugged in the dark. ‘I might take him anyway. Just to make sure.’
Brian turned over and snuggled close to her. ‘You worry too much. He’s fine.’
Of course he was. For once, I was in total agreement with Brian.
I waited, watching until their slow, even breathing told me that they had slipped back into peaceful slumber. Then I headed back into the nursery.
Little Louie smiled up at me and I stroked his downy soft hair, wishing I could recall any time in my life when I had felt and looked as innocent as my small son. To be unaware of the vagaries of life.
If Angela could hear my thoughts now she would accuse me of sounding like some Victorian fuddy duddy. Not that she would really care.
I let my fingers rest on my son’s soft cheek and knew it was time.
I had been there for his conception and birth. It was only right that I should be here now. I had never been one for revenge, had swallowed the bitter pill of Angela’s relationship with my best friend, Brian. There had been a thought that the child she carried could be his. Now, looking at Louie, I knew that it wasn’t true. Louie had my nose, my dark hair. He looked exactly as I had done as a baby.
I had lain in my car after the accident, knowing my time was nearing its end. The only thought I can recall was the frustration that I would have to watch another man raise my son. A man who had usurped my trust. That had hurt more than the punctured lung, the fractured femur.
I promised in that moment that I would always be there for him. Not Angela or Brian, of course. They were quite capable of looking after themselves and their own needs. They had done a good job at that for the last two years so there was no need to worry on that front.
To think they had both cried their sorry, cheating hearts out at my funeral. I had watched them lowering my lifeless body into the cold, damp earth and, I too, had been consumed by grief. A sorrow that had soon been replaced by anger.
I would never know what it would feel like to hold my son. For, in that moment, I had known that she was carrying a son. We hadn’t wanted to know the sex of our baby when she had gone for the scans. We had selected several names for either sex over the months, tried them out to see how they sounded. As long as the baby was healthy we had no preference for gender.
That morning, watching her heavy form bedecked in unflattering black, I had taken some comfort in the fact that I was the father of a son. A new life to remind them all of my meagre existence.
Louie made a small sound and I tickled his little tummy.
‘Soon, my son, soon.’
Angela hadn’t wanted me in life. She wouldn’t need me in death. She had Brian. The man who had stood as best man at our wedding eight years ago. The man I had considered asking to be godfather to my child.
‘Louie,’ I whispered as the morning sun appeared above the horizon, casting a warm soft glow on the pale yellow walls I had so lovingly painted.
I had learned that we are not really in control of our destiny. We could weave our own paths but the ultimate decision was not ours to make. So as I suddenly stooped down and removed Louie from his cot there was no sadness. Just a feeling that this was the way things were meant to be.
Brian suddenly appeared in the room and I watched as he peered down at Louie.
‘Ange! Ange! Phone the doctor! Quick!’
There was a clatter as Angela dropped whatever she had been holding and ran to join her lover.
‘No!’ she shouted. ‘No! I told you something was wrong!’
She picked up Louie’s lifeless body, kissing the tiny blue tinged lips as though she could breathe life back into him.
I looked on with a mixture of pain and joy and Louie kicked his little legs, his innocent blue eyes meeting my own.
As the paramedics bundled them into the ambulance, I saw Angela shrug off Brian’s arm of comfort as she cried fresh tears of grief. Only this time, I knew they would be heartfelt, genuine.
A sudden sense of peace descended around me and I turned to leave, taking one last look around the nursery as I walked out, Louie in my arms.
‘Son,’ I whispered. ‘This is the way it is meant to be.’


Judging comment

Do you find it a moving story? Or do you find it dark and threatening? At the heart of Jane Sykes’ Innocence, which was runner-up in the annual Ghost Story Competition, is the relationship between father and son, and that relationship raises some questions.
The father, of course, is the ghost of Jane’s story, and he makes that fact clear for us right from the opening sentence. But we can interpret his feelings for little Louie in various ways.
One interpretation is that he loves his son so much that he cannot bear to be parted from him, even in death. The other is that he hardly knows the little boy, having never had a real flesh-and-blood relationship with him, and he can hardly love him if he wants to accelerate his death.
That interpretation suggests that the father is motivated by spite for Angela; he is perhaps angered at the Brian/Angela relationship, and wants to find some way of punishing them.
Creative writing tutors often say that a short story should say something about the human condition. That sounds a bit deep and grand for a short story, but there is a lot in it. If the short story writer can point to the patterns of human behaviour in such a way that their readers can understand something about the way we relate to each other, then the story has made its mark.
And that is the essence of Jane Sykes’ story: you may argue that it is saying something about the ghostly condition rather than the human condition. But that would be pedantic, and whether you find it moving or threatening is going to depend on how you interpret the father’s actions.