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Competition Showcase – NOT STRICTLY A HAT by Kate Thrulow

 

About Kate Thurlow
‘I can't recall a time when I didn't have stories in my head - its just taken a while, and
a change in circumstances, for me to consistently write them down,’ says Kate Thurlow from Ipswich. ‘It's the whole process I love, from that first seedling of an idea, the way it then seems to grow on its own, the pen or keyboard seeming to steer me, more than the other way around.
I have successfully completed writing courses with the OU and the UEA and attend a weekly local class, also a few of us from a college course formed a group, eighteen months ago, so we could continue to support/encourage each other once that course finished. We meet twice monthly. I have read my work aloud at an event called the Writers' Cafe, four times now. When I can I enjoy going to day long workshops. All these things have been invaluable in my development as a writer, although I still find it hard to think of myself as such.
I have been shortlisted twice in Writing Magazine and now this second place in Writers' News and can't begin to say how much this has helped my confidence.’

NOT STRICTLY A HAT

by Kate Thurlow




‘This is it, this is definitely the one’. Pat was jumping up and down, her hand outstretched, waving the hat in the air. The few other customers in the shop took little notice; we had already played the same scene several times. Even I barely glanced at the item clutched in Pat’s hand. She shook it more fervently, ‘No look, look, Christie it really is, I’ve found it’. I moved away from the racks of old straw hats, boaters, panamas, where I’d been rummaging, pulling out one hopeful after another, then sighing with disappointment. As I stepped towards her my heart tipped; the hat she held did look like the one we were searching for - but I didn’t want to allow myself to believe it, not yet.
‘Let me see’. Pat held her find out to me, her face alight with triumph.
‘It is the same, Christie, it is’. I took the hat and immediately memories were nudged into view. I turned it around in my hand, examining it, scrutinising the detail, their was something so familiar about it, the feel of the white weather-beaten, finely plaited straw, now yellowed by time, its shape, its size, even the flowers at the side. But the most amazing thing was that it had a tear, in the brim, in the exact place. I could feel the hot prickles, my eyes filling with tears. I looked at Pat and smiled.
‘Get your photograph out’, Pat urged. I pulled the envelope from my bag and took out the old black and white picture. Its edges had become softened over the years, testament to the number of times I had studied the image. It froze the moment in time when two children sat side by side on a beach. The sand clung to their small bodies in patches. Each wore only a pair of shorts and a hat. One, a boy, about five years old, was staring gravely towards the camera but the slight upturn of his lips meant this was mock seriousness. His headwear was not strictly a hat, as he wore a small plastic bucket, the handle of which lay across his cheeks. The bucket had those battlement pieces cut into the base, promising the sandcastles would look like real castles; except they never did because the fragile structures would always crumble, no matter how tentatively the bucket was lifted. There was a row of determined attempts in the forefront of the picture, each disintegrating battlement flying a thin paper flag.
The other child, a little girl of about three years, wore a large, adult sized sun-hat. It was made of very pale, tightly woven, thin straw. A small cluster of flowers circled the band. The brim was enormous, accentuated by an extraordinary shallow bowl, and it flopped over the child’s shoulders and back partially covering her face. A small, frayed tear split the brim at the front over one of her eyes. It probably would have concealed her completely if worn directly on top of her head, but the hat was tilted back. She faced the camera smiling for the picture-taker.
That girl was me. The boy was my brother, Peter. The photograph was all that I had, that and a vague recollection, thinned and stretched over the years like old elastic, of an endless summer’s day, of sand and sunshine, and Peter wearing a bucket on his head. We stared at the picture together, looking at the hat then back at the photo. The hat that Pat had found was an exact copy of the one I wore all those summers ago.
‘You have, you’ve found it’, and we hugged each other and both cried, there in the middle of the curios shop, in the middle of the High Street, in the middle of a small market town in Norfolk.
It had all been Pat’s idea, trying to find a replica of that summer hat. I had scoured my own home town, even made a trip to London, before she had thought of the old secondhand shop in her High Street. It wasn’t anything more than a glorified junk shop really but the somewhat eccentric old lady who owned it specialised in collecting hats. Pat knew this but had buried the fact in the deep recesses of her mind. She only recalled it when I’d ’phoned her with my tale of failure to find my special hat. In fact this whole thing has been Pat’s idea, or at least she voiced what I had long thought of, but she encouraged me, pushed me onto a track which gradually gathered momentum until it ran so fast I couldn’t have stopped it, not that I ever would have wanted to.
Peter and I were separated not long after we had been caught in the frame of that summer’s day. Our parents were killed in a road accident and lacking any grandparents or willing aunts or uncles we were bundled off to an orphanage. Sometimes, if I walk into a hospital there is the same smell, it slips under the surface of my memory, slightly medicinal, hygienic, making me shiver. My parents had vanished from my life and worse still there was another cut, the separation of boys and girls, school children from younger ones. I would see Peter across the huge dining room, my throat constricting with sadness as our eyes met. All I had of my own was a love-worn velveteen pony and the photograph. I don’t remember how I came to have them but my ownership of these two items gave me some control over my strange surroundings. I clung to them ferociously. After a few months we were both found new homes, unfortunately not together. Gradually over the ensuing years we lost touch. We were each adopted by our foster parents and when our families moved away in different directions we lost contact completely. I think nowadays it would be different, I hope so. I never forgot him, although my memory faded with the tricks of time.
Pat grew up knowing about my lost brother. She was the daughter of my adoptive parents, so I grew up with a step-sister, someone else by my side - even so a shadow remained. Together we would conjure up stories about the boy in the photo, of the adventures we would have if we were all together. I was always told, quite softly, by the adults in my life that it would be best to forget him. Well intentioned advice I don’t doubt but it did nothing to ease the aching loss I carried. Pat and I are close, always have been, and as time went by and our adult life emerged we soon became immersed in our own families. Once in awhile Pat would say,
‘You should try to find him, that brother of yours’, but it never seemed to be the right time. Then for my fiftieth birthday she gave me a wonderful surprise. She had been searching for months and had found Peter. She hadn’t made any direct contact but was certain it was him. So what could I do but follow her lead? I was so scared, sick and fluttery all at the same time but I did it. Peter seemed as eager as I to touch our childhood again and to reach forward together into our present lives. Cautiously we exchanged emails for a few weeks but it wasn’t long before we had an easy rhythm to our conversations. We both wanted to meet and agreed a time and place and that initially we would go alone. I think we both wished to linger over the taste of the moment.
And it is for this planned reunion that I need my summer hat. Peter, I discovered, has a copy of the same photograph. I wanted to wear a hat as nearly identical to the one in the picture as I could. I’d told him he will be able to recognise me by my hat. We had sent pictures of ourselves by computer but as I am not proficient in either attaching or downloading images neither of us has a current likeness to go by.
Now here I am at the agreed station, at the selected café. I am early. I want to be settled so I can watch his arrival. I am wearing the ridiculous hat but I don’t care what anyone may think. I am so excited I have to remind myself to breathe. Peter knows I’ll be wearing my hat - he’ll find me. So here I sit, a cold cup of coffee beside me. I have forgotten to drink it.
A train has just come in. Peering through the crowds I think I see him. Anyway there is a man, the right age, striding towards me and in his lapel is a huge flower arrangement, hideously extravagant. I feel my heart thumping, pounding in my ears. He is smiling as he gets closer and I can see two heavy gold chains around his neck which glint only slightly more than the synthetics in the suit he wears. Slung over his shoulder is a heavy fur coat. His hair is dyed a brassy black. Not at all how I imagined. I stand up to greet him, his hand now out stretched towards me. The bones in my legs seem to vanish as I struggle to move forward - but he passes me by, he walks on to the table next door and embraces a woman waiting there.
He is not my Peter. I’m overwhelmed with relief and want to laugh out loud. I start to settle myself down but become aware of someone behind me. I turn to see a man standing there grinning beautifully, a grin that echoes in my mind. A lovely comfortable man in faded jeans and a baggy sweater, his arms held wide in greeting, sweeping all the years of longing aside. He is just so familiar, but the confirmation that this man is indeed my beloved brother, if any is needed, is that he is wearing, on his head, a small plastic bucket.


Judging comment
The scene in the secondhand shop has a lot going for it. It is arresting and intriguing: Why this search for a hat, we wonder. And it fits the brief for the Writers’ News short story competition last August; entrants were asked to write a story that featured a summer hat.
Best of all, of course, the opening scene kick-starts the story. There is of course a great deal of back-story to fill in before we understand the reasons for this search for a hat – except that it is not really back story at all; really it is the one story simply moving forward. It has a beginning (finding the hat in the shop), a middle (how the brother and sister became separated) and an end (when they meet again at the station). And it all locks nicely together.
He decision to tell the story in the first-person was a good choice by Kate Thurlow. This is Christie’s story and it needs to be told from her viewpoint. And because we get more and more involved in her narrative, then the more the story holds our interest.
It is a simple enough storyline: Christie is planning to meet Peter after a long separation: that’s about it. Yet again it shows that a successful short story does not require a complex plot.